Yet another wonderful report by Maureen Fant...this one about our Saturday in and around Trapani.
Day 20: Guest Column: Trapani
Italy 2016: Saturday, May 21:
The day began with a nasty surprise — no water in our hotel — followed by another. The off-hours number provided was not an actual number but the regular number, which was supposed to be forwarded to someone’s cell, only it wasn’t. I mention this not so you’ll feel sorry for us early risers in our unwashed, unflushed, uninformed, and unreassured plight, but so that you will always badger hotels for a proper emergency number if there is nobody on duty 24 hours a day.
By 8-ish we had information that the problem was being dealt with and water would be restored in a "few minutes,” to be understood as “we’re on it, go away.” The few minutes lasted till sometime after 10, which could have been worse. Meanwhile we learned some of the quirks of the local plumbing. You probably don’t care, but I’ll just say the climax of the story was the transfer of water from a truck through a tube that we had to step over to get out the front door.
photo by J Zurer
While waiting for the water, Jim and I had a brisk walk to the tip of the little peninsula to the
Torre di Ligny, the iconic square watchtower (Spanish, 1671), which houses the well-displayed but teensy collection of nautical artifacts plus two helmets dating from the time of the Second Punic War (3rd cent. BC). It is managed by a cultural association of women called Euploia, which is Greek for “smooth sailing.” The view from the roof was worth the not-too-arduous climb.
I have failed to mention that we have had splendid sunshine and mostly comfortably cool-to-warm temperatures and lots of wind. Remember, the wind around here is one factor in making it suitable for salt production.
photo from
www.hotel-trapani.com
photo from
www.vieniatrapani.com
So, having earned our showers, we returned to claim our reward and get spiffed up for the next activity, an expedition to Erice. From the tower we had observed that hilltop Erice (650 m/2133 ft) was enveloped in cloud, and we felt that perhaps it wasn’t the thing. Still, we didn’t have that much time before lunch and we wanted to do something, and Diana had wanted to buy some famous Erice pastries as presents, so we sallied forth and climbed (i.e., drove) up the tortuous half hour (ish) to what is universally regarded as the gem of western Sicily. It’s very pretty, all of gray stone, with little patterns in the cobblestone streets (some sloping enough that the downhill walk was a tad hairy). It was also packed solid with tourists, freezing (the cloud had not lifted), and a lot less charming than I remembered, even though, yes, it really is lovely under the veneer of schlock.
Our main stop was
Pasticceria Maria Grammatico, filled with tourists but irresistible nonetheless. Most, if not all, of the sweets were made of almond paste, the pride of Sicily. Jim recognized Sig.ra Grammatico herself, who emerged from the kitchen at some point. Sorry to say, none of us is in a hurry to return to Erice despite fond memories of past visits.
photo from for91days.com
photo from news.com.au
photo from tripadvisor.com
I have to say that most of the rest of the day is lost in a fog of food. From Erice we descended back into the sunshine and drove about 40 minutes inland to an agriturismo called
Vultaggio, on the outskirts of Trapani. We arrived late and starving (OK, not literally starving, but very hungry). The setting is rustic (though there is a pretty snappy swimming pool), not in the cozy mountain refuge way but more in the cheap-place-to-take-the-extended-family-on-Sunday way, and everything was translated into the main tourist languages. Nevertheless the menu was one of those gimme-one-of-each types.
Antipasti included excellent salumi from the prestigious Nebrodi pig (for the mountains of that name in eastern Sicily), fine caponata, panelle and chips (just a moment), and a piece of melted caciocavallo served on one of those warming dishes used for bagna caoda in Piedmont. There was also a sort of tripe salad, which Franco and Jim made short work of, all the while saying that trippa alla romana is much better (I have no doubt). Panelle are little rectangles made of chickpea flour, soft on the inside, ever so slight crisp on the outside. They are typically Sicilian but have strong affinities with Ligurian farinata.
Except for Diana’s rather ladylike ravioli with ricotta and pear, the primi were of the why-everybody-loves-rustic type: busiata with very meaty pork ragù or with tomatoes and fresh favas. The secondi were largely grilled meats: excellent pork chops, sausages, and involtini (veal rolls). We drank nero d’avola—what else? (I haven’t been good about recording our wines, but otherwise we always drank Sicilian whites, either grillo or the drier catarratto).
A word about the “chips": seriously? They were perfectly decorous French fries, but served no purpose except to take up room on the plate that could have been given to more panelle. But Jim had pointed out a trend around the Sicilian towns of encroaching chips shops where you might rather see good Sicilian arancini and the like. Globalization among the millennials?
After a pre-siesta by the pool, Jim got us back to base for a more serious rest period. We reassembled well after 8 pm for a walk and found the evening “struscio” in full swing. We detoured into a courtyard where there was a sort of crafts fair, mostly nothing to get the juices flowing. However, one lady, assisted by her pleasant English-speaking son, was selling little pictures made of coral. Diana and I simultaneously zeroed in on these. Diana bought two small gifts which I will not describe in case they are meant to be a surprise.
We concluded our walk with the Scalinata di San Domenico, a stepped side street on which a
festival of, let us say, religious art was being held. The center of the street was decorated with a succession of tableaux on religious themes made of various materials including flowers, lots of flowers. You could call this folk art, or you could say, “And you think MY religion is weird?” As we exited at the top, we were asked to make a donation, which Franco, who (of course) had reached the top first, duly did and received two holy cards in return. The holy cards featured Piero della Francesca's Madonna della Misericordia, showing either (a) that church art isn’t all bad or (b) sic transit gloria mundi.
By that time we could face a nightcap at our simpatico but uncomfortable wine bar.
Maureen B. Fant
Elifant Archaeo-Culinary Tours